
36 Hours | $1099 + $100 Registration
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day. For one-to-one lessons, see Mixing and Sound Design for Film and TV Private Instruction, and connect with a specialist on that page.
Houston is one of the newest campuses in the Garnish network, and the Post Production - Mixing and Sound Design for Film and TV here runs the way it does everywhere we teach: small groups, working producers as instructors, and a live-online option for anyone who cannot make it to the studio, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“I just wanted to say THANK YOU so much for such an awesome experience. The classes Garnish offered and the final experience at Exchange LA was the push I needed to accelerate my new career and gave me confidence as a DJ.”
Matthew Naramore
Yes. You work to real film score briefs, including complying with broadcast loudness standards, and finish with your own project and feedback on it.
Herwig Maurer, also known as Agent H - a Berklee alumnus in sound production and engineering, who collaborated on an Academy Award-nominated film's audio and does sound design on Amazon's Reacher.
Yes. The Post Production - Mixing and Sound Design for Film and TV course can be taught one-to-one, in person in Houston or online, built around your own projects - ask admissions about private instruction.
The Post Production - Mixing and Sound Design for Film and TV course runs 36 hours. Tuition at Garnish Houston: 36 Hours - $1099 + $100 Registration.
Yes - live online, built for participation: weekly tasks that mirror real-world challenges, and three live playback sessions where you show your work.
36 Hours | $1099 + $100 Registration
How filters shape a sound - low-pass, band-pass, comb and notch - plus resonance, envelope control and using filters creatively in a mix.
Read →There are many ways to access the power of filtering, but probably the easiest is to use a plug-in. Logic’s AutoFilter is a good example of Emagic’s…
Read →Beyond chorus and phasing: ring modulators, frequency shifters, Leslie cabinet simulation and auto-panners, and where each one belongs.
Read →We have discussed the most common modulation effects such as chorus, flanging and phasing. Now it is time to investigate other modulation effects.
Read →From tape echoes to ping-pong delays: the parameters, how to match delay time to tempo, and using delay as a real mixing tool.
Read →The diagram depicted below illustrates three of the more typical room shapes: square, rectangular and L-shaped rooms. The most favourable positioning of…
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