
Over 360 hours of instruction + Studio Time | $14,999 + $500 registration fee ($200 if 14 days before start)
Use the ‘CONNECT’ button below to request schedule information for our classes. One of our placement experts will follow up within a business day

To be in the loop when we release more dates, sign up to our newsletter towards the top right of this page. We don't send many, you can easily unsubscribe, and we never share our data with anyone.
Houston is one of the newest campuses in the Garnish network, and the 360° Electronic Music Academy here runs the way it does everywhere we teach: small groups, working producers as instructors, and a live-online option for anyone who cannot make it to the studio, using our specialist music collaboration software, Muse. Discover qualities that distinguish us, here.
“I needed some Logic training, so I called Garnish because they are the best”
Jamie Jones
Our Electronic Music Academy: a programme that takes a beginner through everything they need to know to make the music they love, in classes kept small for focused learning, supported by Ableton, Native Instruments and Apple.
Yes. The 360° Electronic Music Academy runs in person at Garnish Houston and live online in the same sessions, using our music collaboration software, Muse - you join whichever suits you.
No. It starts by getting you fluent in your production software.
The 360° Electronic Music Academy runs 360 hours. Ask admissions at Garnish Houston for the current dates and tuition.
Meld is the latest addition to Ableton's Instruments and it features a novel design featuring two Macro Oscillators and lots of modulation possibilities…
Read →The subtractive synth that sounds analogue without pretending to be a vintage model. Two oscillators, one filter, and the modulation section that makes it worth the CPU.
Read →Ableton publishes exactly which operations in Live are bit-transparent and which alter the audio. Some of it is surprising, and all of it is worth knowing before you argue about it online.
Read →What goes in the bag, matching the last DJ's levels, reading a room, the backup playlist, stage presence, and the rules for going back-to-back.
Read →Where DJs buy music, setting up rekordbox, fixing beat grids, the Camelot wheel, exporting to USB, and every control on a CDJ-3000 and a DJM mixer.
Read →Every colour FX and beat FX on a DJM-900NXS2, what each is for, the order of operations on the hardware, the dos and don'ts, and slip-mode tricks on the CDJ.
Read →